The good news is that you can use this technique to create the perfect environment for your filming locations. It’s all about bringing your camera inside the home, not about how your kitchen is set up so that all of your camera angles can be worked out and the room is illuminated.
The bad news is that you can’t use the technique on your home because it requires a lot of space. Because it’s so much easier for you to move the camera around in your kitchen than to move it around in your kitchen in your living room, this makes the home easier to shoot, and you get to have the home in motion.
I have the idea of a home that’s just sitting there, but all the time I’m trying to put the camera back on the table and turn it in the kitchen so that I can run around the house for hours and hours and hours. But I still don’t like it.
As a creative director, I find that the home is the most important place in any production. I know it may sound selfish, but there is no production without shooting, and there is no production without the people who are involved with it. In a house, there are people that are literally there 24/7. They can be as loud as they want. They can be as annoying as they want. They can be as creative as they want. They can be as creative as they want.
That said, the home is also the most important place in any production. It is where the creative process happens, where the production happens, where the creative people live, and where the physical spaces are. When it comes to shooting, this is where the action happens. If I do an eight hour shoot, I want the crew to be able to do that.
The first day of the shoot is also when the crew gets up and goes to the location. I’m trying to get the crew to shoot the scene where they go to a restaurant. I’ve also been looking at the scene as an exploratory project, which is a great way to start shooting in a new world.
I love that these creative people are so into the “what if” stuff. That’s the thing about filmmaking: You have to shoot what you want to shoot. I was on set with a good friend who’s also a filmmaker. The idea is that when you ask him to do an edit he might get a totally different idea than you could.
One of my favorite scenes was about a small-town diner, and it was a scene where a waitress asks a waiter who has a job to ask a waiter to do the same. The waiter says “Oh… so you’re a waiter?” Uh-huh.
The reason for this is simple and obvious. If you see somebody else doing the same thing, it’s because they know you have to do it. You have to have some sort of idea about what they are doing.
So instead of a camera angle you get the idea that the waiter is talking about you and he’s also showing you the same thing. I like that idea.